Aeschylus was the first known dramatist to use more than one character in his plays, and he therefore invented the concept of dialogue between characters.
众所周知,我们的埃斯库罗斯是第一个在戏剧中使用超过一个角色的大戏剧家,因此,他也就顺带发明了角色之间的对白。
He quoted the great lines of Aeschylus about pain bringing wisdom, against our will, through the awful grace of God.
他援引埃斯库罗斯的着名句子说,与我们所预想的不同,通过上帝令人敬畏的恩典,悲伤的痛苦会给人带来智慧。
Agamemnon by Aeschylus - (Download PDF).
阿伽门农(埃斯库罗斯)-下载。
Aeschylus (ca. 525 B. C.) is regarded 「the father of Ancient Greek tragedy」.
埃斯库罗斯(公元前525年)被公认为古代希腊悲剧之父。
The Athenian playwright Aeschylus tells us that among the Persian commanders who were killed during this war, was a cavalry leader 「on a mail-clad horse」 called Arsaces (Persians 996).
雅典剧作家埃斯库罗斯告诉我们,在波斯指挥官被打死谁在这场战争中,骑兵是一个领导者「的邮件包马的所谓Arsaces(波斯人996)。
Aeschylus also wrote a trilogy chronicling the life of the mythological figure Prometheus, but only the first play, 「Prometheus Bound,」 has survived.
埃斯库罗斯还写了一本记录神话形象普罗米修斯一生的三部曲,可惜的是只有第一部——《被缚的普罗米修斯》保存了下来。
The Oresteia of Aeschylus is the author」s only complete surviving trilogy, and includes the plays 「Agamemnon,」 「the Libation Bearers,」 and 「the Eumenides.」
《俄瑞斯忒斯》是埃斯库罗斯众多作品唯一完整保存下来的三部曲,这其中包含了戏剧《阿伽门农》、《奠酒人》、《善好者》。
Historians know that Aeschylus won at least thirteen of these contests during his life.
历史学家们算得可清楚了,埃斯库罗斯至少在他有生之年拿了十三项大奖。
The earliest reference to a 「red carpet」 in this sense was is in a play by the Greek dramatist Aeschylus in 458 BC.
最早提到「红地毯」这个概念的是希腊剧作家埃斯库罗斯在公元前458年写的一个剧本。
In the best case, Aeschylus teaches, the lesson enables one to move from passion to reason, or, more precisely, from the experience of suffering to the knowledge of that experience.
最好的例子就是埃斯库洛斯的教导我们,教训能使人从激情转而理想,更为确切地说,从苦痛的经验到经验的知识。
Although Aeschylus wrote nearly ninety plays, records of only seventy-nine have survived.
虽然埃斯库罗斯写了将近90部剧作,残存下来的只有79部。
The language and meter used by Aeschylus in his plays was the forerunner of blank verse, or unrhymed iambic pentameter.
埃斯库罗斯在剧中使用的语言和韵律则是素体文,或者说成无韵抑扬格五步诗的前身。