Dionysus was their god of wine and how better to celebrate his greatness than to get blasted and sing songs about him.
狄俄尼索斯是他们的酒神,如何更好地颂扬他的伟大,演唱关于他的歌曲。
Here we see a mask of the god Dionysus and clothing attached to a pole, much in the manner of a scarecrow.
这里我们看到一个戴奥尼·索斯的面具及衣服附在竿子上,像是稻草人的方式。
Among the floats was a 15-foot Dionysus pouring a libation from a golden goblet.
巨大花车上矗立着15英尺高的酒神狄奥尼·索斯雕像,从他手中金色酒杯里不断流出献祭的美酒。
Two most important categories of Nietzsches aesthetic and literature thoughts are Dionysus spirit and Apollo spirit.
酒神精神与日神精神是尼采美学和文艺思想中两个最重要的范畴。
According to the Macedonians and Greeks, this was the place where the god Dionysus was born.
据马其顿和希腊,这是地方神狄俄尼索斯诞生了。
Dionysus is eternally the fundamental archetype in western art.
酒神,一向是西方艺术的最根本的永恒原型。
The idol was actually a wooden shaft with a mask attached, garlanded with ivy - perhaps the most common way of depicting Dionysus in the Greek world.
神像实际上是一个以面具附上的木轴,戴着长春腾花环,这或许是在希腊世界中最普遍的描述戴奥尼索斯的方法。
They say genius is a type of craziness and the Dionysus energy can help you access this.
他们说天才是疯狂的一种型态,戴奥尼·索斯的能量,便可使你疯狂一番。
This concern is about the Greek tragedy and Dionysus in the basic similar spirit.
本文关注的则是狄奥尼索斯与古希腊悲剧在基本精神上的相通之处。
In his last book, Dithyrambs of Dionysus (1889), Nietzsche included 「Ariadne」s Lament', a poem full of pain and longing.
在他最后一本书《狄奥尼·索斯-酒神赞歌》(1889)中,有一首名为「阿里阿德涅的挽歌」诗,充满着痛苦与渴望。
Dionysus is a philosophical issue into which modern philosopher Nietzsche was always devoted to probing, but in actual fact, it already existed in ancient Greek literature before Nietzche.
酒神精神虽然是近代哲学家尼采致力于探求的哲学思想,但事实上它在古希腊文学中就已经存在了。
But the Romans had nothing like the Greek Olympic games or the festivals of Dionysus that led to the writing of Athenian tragedy and comedy.
但是罗马人没有什么东西与希腊奥林匹克运动会或导致了雅典悲剧和喜剧写作的戴奥尼·索斯酒神节相像。
The cult of Dionysus expressed its idea through myth, and practiced its ritual through the religious festivals and Bacchic mystery.
所以,论文同时阐述了狄奥尼索斯崇拜的节日和它的神秘仪式。