The core logic of Das Kapital is the representation of the capital logic, instead of fetishism critique or critique of Versachlichung.
《资本论》的核心逻辑是对资本逻辑的再现,而不是拜物教批判或物象化批判。
A Japanese writer and translator is said to have adapted Das Kapital for the stage in the 1930s, and the result was subsequently translated into Chinese.
据说,日本的作家和翻译家们在1930年代就已经把《资本论》搬上了舞台,结果是,随后即被翻译成了中文。
The Shanghai Dramatic Arts Center is preparing to stage a dramatization of Karl Marx's Das Kapital using elements of Broadway musicals and Las Vegas shows.
上海话剧艺术中心正準备采用百老汇音乐剧和拉斯韦加斯歌舞秀的形式,把卡尔?马克思的《资本论》搬上舞台。