English poet; remembered primarily as the author of an epic poem describing humanity's fall from grace (1608-1674)

The final section of the poem presents us with the most powerful temptation that John Milton can confront, and we will find that this is a problem that continues for the rest of his writing life.

诗的最后一部分呈现给我们，弥尔顿会面对的最强有力的诱惑，我们将发现这是个，贯穿他以后写作生涯的问题。

But John Milton is also recompensed and, by the weird sacrificial logic that Saint Peter has already sketched out for us, you can see a really disturbing way in which Milton has benefited as well.

但是在圣彼得铺陈开来的诡异的牺牲逻辑下，弥尔顿也得到了回报，你会看到弥尔顿从中得益的方式，确实非常让人困惑。

And you「re getting to see something like an intimation of John Milton the published poet, a poet whose energies are going to be directed toward making his poems public.

你们看到约翰·弥尔顿的一点暗示，这位出版作品的诗人，他的能量将完全花费在出版自己的诗篇上。

This poem, this entire poem before this point hasn」t been sung by John Milton at all.

这首诗，这一句之前的整首诗，完全未被弥尔顿歌颂。

He argued that this John Milton fellow simply couldn「t be heeded on matters of the church, or on matters of the state, because Milton himself had absolutely no moral authority.

他批判到，弥尔顿根本不重视教会事务，或者国家事物，因为弥尔顿自己就没有绝对的道德权威。

I don」t know much about John Milton except his 「Paradise Lost」.

我除了他的「失乐园」，对约翰·弥尔顿不甚了解。

We looked at its relation to the new career that John Milton ended up assuming in the late 1630s: this new career as a polemical writer of political prose.

我们研究了它与17世纪30年代末,弥尔顿最终以幻想告终的新事业：,这个写政治散文的宣传性作家的新事业。

Finally, John Milton leaves his father「s house.

最终，弥尔顿离开了他父亲的家。

This is a view supported by the dean of Woodrow Wilson historians, John Milton Cooper, Jr.

历史学家小约翰·米尔顿·库珀是伍德罗·威尔逊学院院长，他支持这个观点。

That the actor playing Comus in this first and only performance in the seventeenth century was none other than our John Milton himself.

在17世纪，演员第一次也是唯一一次扮演Comus的，不是别人正是我们的弥尔顿。

First of all the word Pandemonium was invented by John Milton in his poem Paradise Lost.

首先，pandemonium是由约翰·弥尔顿在其着作《失乐园》中首创的。

I think it takes your breath away to think of the unspeakably high hopes that John Milton had for his career.

我觉得像弥尔顿这样说出自己对职业如此高的希望，是很让人吃惊的。

I think this might be the first time that John Milton is actually attacked or brought to the attention of the English people in print.

我想那可能是弥尔顿第一次被抨击，或在出版界中引起英国人的注意。

It」s as if the distinction between John Milton and the speaker of Lycidas wasn't really operative.

似乎弥尔顿和的演说人之间的区分，并不是那么重要的。

Now, probably the form of power that we most readily associated with John Milton involves his position at the dead center of the English literary Canon.

我们最容易由约翰·弥尔顿，联想到的力量形式很可能，与他处在英国文学经典的中心位置有关。

And if we wish to continue this analogy, and I certainly do, between the poet Milton and the virgin Lady, we can see that this is a release that John Milton the poet has been waiting some time for.

如果我们希望继续这个弥尔顿的诗与小姐贞操的类比，我肯定会，我们可以看到，这是弥尔顿的诗等了很久的一种解脱。

On this day in 1644 John Milton published his pamphlet, Areopagitica, a Speech for the Liberty of Unlicensed Printing, to the Parliament of England.

1644年的这一天（11月23日），约翰·弥尔顿出版了他的一本小册子，《论出版自由：论未经英格兰议会许可而出版的自由权演讲》。

In his entire life John Milton wrote in a wide range of genres, in several languages, and on an extraordinary range of subjects.

在其一生中，约翰·弥尔顿用不同的语言创作了体裁各异、题材丰富的作品。

We naturally thought that it was the poet John Milton who was speaking the first 185 lines of the poem.

我们自然会认为是诗人弥尔顿自己，在言说着前185行诗。

But in our collective cultural consciousness, if there is a such thing, whether we like him or not we tend to think of John Milton as powerful.

如果说我们有一种集体文化意识的话，在这个意识里，不管我们喜不喜欢米尔顿，我们都会认为他是强大的。