This article obtains the Chinese modern drama which from 1907 to 1945, take Christianity communication to its influence as main object of research.
本文从1907年至1945年间中国话剧入手,以基督教传播对其影响为主要研究对象。
The creation of Chinese modern drama in the beginning period was shrouded in a strong tragedy consciousness.
中国话剧初期创作笼罩着一种浓厚的悲剧意识。
Practice, theory, and accumulation of performance are three aspects to measure the influences of traditional Chinese opera on Chinese modern drama stagecraft.
实践、理论、舞台积淀,是衡量传统戏曲对中国话剧舞台艺术产生影响的三个方面。