this also helped establish the aesthetic forms of chinese cinema ranging from creational comedy to classical tragedy and finally to tragedy of modern society.
它以「娱乐性喜剧→古典传统悲剧→现代社会悲剧」的变化,确立了中国电影的审美形态。
after renaissance, under the new social and historical circumstances, the spirit of the classical tragedy declined and fell gradually.
文艺复兴后,在新的社会历史条件下,古典悲剧的精神逐渐走向了衰亡。
chinese classical tragedy has three main characteristics : conventional tragic theme, tragic-comic structure and cheerful reunion ending.
世俗化的悲剧题材、悲喜交集的结构、大团圆结尾,是中国古典悲剧的三大民族特征。
it concludes that chinese classical tragedy is in fact a primitive tragedy and is different from hegel's 「classical…」
从而得出中国古典悲剧其实是一种原始悲剧的结论,进而指出中国古典悲剧与黑格尔「古典悲剧」的「异质」之处。
han gong qiu and wu tong yu, radiant pearls in the chinese classical tragedy history with its essence, adopt the nearly same artistic technique and reach a sorrowful artistic state.
《汉宫秋》和《梧桐雨》是中国古典悲剧史上的璀璨明珠,这两部作品凝聚着中国古典悲剧艺术的精华,采取几乎相同的艺术手法,营造了悲苦的艺术境界。