modern painter chen shizeng's book study of chinese literati painting and several other articles undoubtedly have great impacts on our studies.
近代画家陈师曾的专着《中国文人画之研究》及其他几篇相关文章无疑对我们现代研究文人画产生重要影响。
the research of chen shizeng and chinese literati painting aims to explore the academic meaning of chen shizeng in the fine arts history and have some reference values in the current theory situation.
研究陈师曾与中国文人画的现代延伸,旨在对陈师曾在美术史上的学术意义进行发掘,同时也希翼在当今的理论语境中对中国画的发展与价值取向具有一定的借鑒意义。
from chinese literati painting to japanese yamato-e, from romanticism to dadaism, different forms of art serve as the instrumentality to educate the public.
从中国的文人画到日本的浮世绘,从浪漫主义到达达,艺术的不同表现方式被看作是一种向公众进行观念教育的媒介。
poetry is a traditional chinese literati painting trinity identification codes, and poetry painting ruin has become the standard assessment of literati painting.
诗书画三位一体是中国传统文人的身份识别符码,诗书画三绝也就成为评定文人画的标準。
initiation of chinese literati painting led to historical archivement of chinese painting and had become the core of the aesthetic paradigm of chinese traditional art.
文人画的出现将中国绘画的「写意性」推向高峰,并成为中国美术样式的核心审美范式要求之一。