audiences wanted to know more about the woman behind the face, but garbo refused to talk.
观众想知道更多关于她的幕后故事,但嘉宝拒绝透露。
the 1934 original, with greta garbo, is worth looking at for garbo alone, but it takes some very strange liberties with the book.
1934年的最早一部由葛丽泰嘉宝主演,也只有嘉宝有看头,但这部电影随便更改原着,有些地方改得很奇怪。
after three months, production chief irving thalberg assigned garbo to the torrent.
经过三个月的演出之后,制片主任欧文?撒尔伯格指定嘉宝参与《激流》的演出。
in 1970’s new york, a garbo sighting as she marched through the streets of manhattan stopping only to browse through junk shops and antique stores was recorded the same status as a ufo.
在二十世纪七十年代的纽约,一个拍摄嘉宝穿过曼哈顿街道,驻足浏览便宜店和古董店的录像,其价值等同于发现不明飞行物的镜头。
off screen, garbo barely spoke english.
银幕外,嘉宝很少说英语。
the face of garbo is an idea, that of hepburn, an event.
嘉宝的脸是一种理念,赫本的脸则是一种事件。
but you had to choose the most degrading interpretation: he wants to distinguish himself, to act his greta garbo part.
但是你偏偏选择了最污辱人的一种解释:他想要出人头地,扮演格雷特、盖伯引人注目的角色。
hollywood movie stars such as bette davis and greta garbo set fashion trends in dresses designed by adrian and muriel king and hats designed by lily dache.
好莱坞的电影明星引领了潮流,比如,贝蒂·戴维斯和葛丽泰·嘉宝引领了由艾德里安和穆里尔·金设计的裙子和由莉莉·达祺(lilydache)设计的帽子的潮流。
i have been watching all the greta garbo movies i can find!
我一直在看我所能找到所有gretagarbo的电影!
her understanding of the art came at the royal dramatic theater school where greta garbo had also taken her first steps toward a career in a film.
进入瑞典皇家剧院附属学校学习,为她的表演艺术打下了坚实的基础。另一位出生于瑞典的好莱坞明星葛丽泰·嘉宝也是在这里开始了她的演艺生涯。
viewed as a transition the face of garbo reconciles two iconographic ages, it assures the passage from awe to charm.
嘉宝的脸蛋被视为一种转换,它令人忆念起两个肖像的时代,它确认了从敬畏到魅力的过程。
greta garbo’s screen legend had become greta garbo urban legend.
嘉宝的银幕神话转变成了嘉宝的都市童话。
the 19-year-old garbo said goodbye to her family in stockholm, she was given visa number 396 and arrived in new york city on july 5, 1925.
十九岁的嘉宝告别斯德哥尔摩的家,拿着396号签证,于1925年7月5日抵达纽约市。